|Revolver - Super Deluxe Edition - Front||Revolver - Super Deluxe Edition - Rear|
|Revolver - Super Deluxe Edition - The Discs|
|Revolver - Super Deluxe Edition - The Different Reverse Pictures|
|Catalogue No.'s||455 9941 (Super Deluxe Edition) - Full barcode: 6 02445 59941 7
Other Issues Of This Release
2 C.D. Deluxe - 453 8277
1 C.D. - 455 9968
L.P. Super Deluxe Boxset (4 L.P. + 1 E.P.) - 455 9952
Single Vinyl Picture Disc - 455 9970
Single Vinyl L.P. 1/2 speed mastered - 455 9969
|Release date||28th October 2022|
|Total time||C.D. Discs 1 - 5 have a total of 2 hours 42 minutes and 26 seconds
CD Disc 1 - 34:46 (New Mix of Original Album)
CD Disc 2 - 40:26 (Sessions 1)
CD Disc 3 - 41:00 (Sessions 2)
CD Disc 4 - 35:28 (Mono Mix)
CD Disc 5 - 10:46 (E.P.)
|U.K. Album Chart Detail :|
|Detail :||A beautiful looking and comprehensive five-disc box set, all housed within a simple box.
But once again discs barely half full and some odd mixing choices and selections.
All of the music on the five c.d.'s would easily fit on less than three discs !
And in fact, losing just the odd track already issued on Anthology 2, it would all fit on two !!
The set includes a new stereo remix of the album by Giles Martin, with the help of de-mixing technology developed by Peter Jackson's WingNut Films,
The deluxe edition also includes a 100-page book featuring a foreword by Paul McCartney, an introduction by Giles Martin,
Along with the restoration of the original album artwork by Voormann, the record sleeve that holds the session outtakes features
This set is available in a variety of formats, including :
Revolver Special Edition (Super Deluxe): - 63 tracks
Revolver Special Edition (Super Deluxe): - Vinyl Version
Revolver Special Edition (Deluxe): - 29 tracks
Revolver Special Edition (Standard) - 14 tracks
Revolver Special Edition (Standard) - Vinyl Version
Revolver Special Edition (Picture Disc) - Vinyl
Chart Progress: 2 - 11 - 26 - 41 - 37 - 40 - 33 - 43 - 77 - out
34:46 - Catalogue no. 455 9942
For full detail of original album see - Revolver (1966 original)
|No.||Track||Composer||Difference From Original||Time|
|1||Taxman||Harrison||Bass central in the mix, George's double-tracked voice split to left and right||2:35|
|2||Eleanor Rigby||Lennon-McCartney||Paul's vocal moved to centre stage, backing track spread across the stereo soundstage.||2:04|
|3||I'm Only Sleeping||Lennon-McCartney||This is a muddy remix.||2:57|
|4||Love You To||Harrison||Fully mixed in stereo, whereas the original began in mono.||2:56|
|5||Here, There And Everywhere||Lennon-McCartney||Another remix that does not improve on the original.||2:22|
|6||Yellow Submarine||Lennon-McCartney||Ringo's vocal brought to the centre with other instrumentation and effects spread.||2:35|
|7||She Said She Said||Lennon-McCartney||Distinctive guitar that follows the vocals mixed way down, another guitar part mixed up.
Has the effect of changing the feel of the recording.
|8||Good Day Sunshine||Lennon-McCartney||Piano now split to left and right channel, with snare moved to centre.||2:07|
|9||And Your Bird Can Sing||Lennon-McCartney||John's vocal delay seems more obvious plus an boost to the snare drum.||1:58|
|10||For No One||Lennon-McCartney||Keyboards moved to centre and Paul's vocal seems down in the mix.||1:58|
|11||Dr. Robert||Lennon-McCartney||Increase in John's vocal placement||2:12|
|12||I Want To Tell You||Harrison||In this mix the guitar pans across a number of times, whereas it stayed centre stage originally.||2:26|
|13||Got To Get You Into My Life||Lennon-McCartney||The vocal difference that used to exist between the original mono and stereo versions,
has been used from the mono version here in the new stereo mix.
|14||Tomorrow Never Knows||Lennon-McCartney||In this new mix the sound effects are again allowed to pan around the soundstage.||2:56|
The tracks on this and on Sessions Two are presented in recording date order.
All tracks are stereo unless otherwise indicated.
40:26 Catalogue no. 455 9943
|1||Tomorrow Never Knows||Take 1
This was included on Anthology 2, but, this version is 16 seconds longer.
And, they appear to be slightly different mixes !
|2||Tomorrow Never Knows||Mono Mix - RM11
This is the mono mix that appeared on the withdrawn first pressings of PMC 7009
|3||Got To Get You Into My Life||First Version - Take 5
The same take as released on Anthology 2, but with John heard beforehand,
Over a minute discussing how to count-in.
Plus, Ringo's bass drum is more apparent.
And, a few seconds longer at the end without a fade.
|4||Got To Get You Into My Life||Second Version - Unnumbered take (mono)
Pre the brass overdubs, an extra guitar, and Paul's vocal is slightly different,
Plus some backing vocals not included in the released version.
|5||Got To Get You Into My Life||Second Version - Take 8
The backing track to the released version.
With a count-in and does not fade out.
|6||Love You To||Take 1
"Granny Smith - Take 1"
George with an acoustic version, Paul on harmonies
|7||Love You To||Unnumbered Rehearsal
George and Paul rehearsing the song on sitar and tamboura
|8||Love You To||Take 7 - Alternate Mix
An alternate mix of the released take that includes Paul's harmony vocal
|9||Paperback Writer||Takes 1 & 2 - Backing Track (mono)
This has long been available on bootleg but with more chat before the take.
See Unsurpassed Masters Vol.3
|10||Rain||Take 5 - Actual Speed
Allegedly actual speed but just sounds too fast.
Is that because we are so used to the released version ?
|11||Rain||Take 5 - Slowed down for the master.
No backing vocals, no backwards tapes (both later overdubs).
|12||Doctor Robert||Take 7
Full version with no fade-out
|13||And Your Bird Can Sing||Take 2 - First Version (without giggling overdub)||2:13|
|14||And Your Bird Can Sing||Take 2 - First Version (with giggling overdub)
This was included on Anthology 2, but, this version has no vocal track.
But, does include extra studio chat.
The tracks on this and on Sessions One are presented in recording date order.
All tracks are stereo unless otherwise indicated.
41:00 - Catalogue no. 455 9944
|1||And Your Bird Can Sing||Take 5 - Second version.
|3||I'm Only Sleeping||Rehearsal Fragment (mono)
This was included on Anthology 2, but, this version is a few seconds longer.
|4||I'm Only Sleeping||Take 2 - Breakdown (mono)||2:26|
|5||I'm Only Sleeping||Take 5 - Backing track||2:41|
|6||I'm Only Sleeping||RM1 (mono)||3:04|
|7||Eleanor Rigby||Speech before take 2||2:11|
|8||Eleanor Rigby||Take 2
Outtakes from the string overdub session.
|9||For No One||Take 10 - Backing track||2:21|
|10||Yellow Submarine||Work tape - Part 1||1:02|
|11||Yellow Submarine||Work tape - Part 2
John lead vocal !
|12||Yellow Submarine||Take 4 - Before sound effects||2:35|
|13||Yellow Submarine||Highlighted Sound Effects||3:01|
|14||I Want To Tell You||Speech and Take 4
Most of the studio chatter is from before Take 1.
Take 4 is a breakdown of the backing track.
|15||Here, There And Everywhere||Take 6||2:27|
|16||She Said She Said||Home demo
Bootlegged years ago in better quality !
|17||She Said She Said||Take 15 - Backing track rehearsal||3:22|
35:28 - Catalogue no. 455 9945
|3||I'm Only Sleeping||2:57|
|4||Love You To||2:56|
|5||Here, There And Everywhere||2:22|
|7||She Said She Said||2:33|
|8||Good Day Sunshine||2:07|
|9||And Your Bird Can Sing||1:58|
|10||For No One||1:58|
|12||I Want To Tell You||2:26|
|13||Got To Get You Into My Life||2:27|
|14||Tomorrow Never Knows||2:56|
10:46 - Catalogue no. 457 9311
|1||Paperback Writer||2022 Stereo Mix
First that hits you - the drums are too loud.
Way too loud.
Vocals seem a little lost in a muddy sound.
|2||Rain||2022 Stereo Mix
Oddly, the drums are lower in the mix.
Surely this track is often said to be one of Ringo's playing highlights,
so why have they been mixed down ??
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