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Sgt. Peppers Lonely Hearts Club Band - Front Cover | Sgt. Peppers Lonely Hearts Club Band - Back Cover |
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Sgt. Peppers Lonely Hearts Club Band - Inside Cover | |
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Sgt. Peppers Lonely Hearts Club Band - The Cutouts | Sgt. Peppers Lonely Hearts Club Band - Inner Sleeve |
Label | Parlophone | ||||||||||||
Catalogue No.'s | PMC 7027 (Mono) PCS 7027 (Stereo) PHO 7027 (Picture Disc L.P.) CDP 7 46442 2 (CD) |
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Matrix No.'s |
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Release dates | 1st June 1967 16th January 1979 (Picture disc L.P.) 1st June 1987 (CD - "It Was Twenty Years Ago Today" !) |
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Total time | 39:07 ... or Endless ?? | ||||||||||||
U.K. Album Chart Detail : |
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Detail : | The Beatles ninth official album release. This album sold a quarter of a million copies in Britain in it's first week of release, and by the end of June had topped 500,000 sales. But it didn't sell it's One Millionth copy until April 1973, some 6 years later. It is still in the Top 10 albums of all time worldwide (See Top 10 Worldwide Albums) And is THE top selling album in the U.K. of ALL time (See Top 10 U.K. Albums) It went straight to number 1 and dominated the top slot for the next 23 weeks.
Sgt. Peppers was the first "concept" album, although any link between tracks was tenuous.
The Beatles insisted that the album be issued identically worldwide, so for the first time Capitol in America fell into line
and didn't split tracks over different L.P.'s (then again, how could they ??)
Not surprisingly this legendary cover has also sparked a few satirists,
E.M.I. were allegedly horified when they saw the cost for producing the sleeve. The usual budget for a record cover
photograph in the sixties was £25, or as much as £75 for an act as big as The Beatles. The total recording time spent on Sgt. Pepper's was over 700 hours at a cost of about £25,000
Also recorded during the Sgt. Pepper sessions, The album was also part of "The Beatles Collection" 13 album box set (see Beatles Collection).
In January 1979 E.M.I. released a picture disc with a retail price of £6:99.
On 1st June 1987 this album had it's first release on C.D. which was published in stereo, with a catalogue number of
CDP 7 46442 2
The C.D. was also part of "The Beatles Box" 15 C.D. box set (see Beatles C.D. Box).
In June 2007 there was much media interest in the album again due to it's 40th anniversary.
09/09/09 (Number Nine, Number Nine, Number Nine) - the album was re-released as part of the Beatles In Stereo Remasters collection.
Tape Media
Prior to 1973: In November 1987 the album was re-released on cassette tape (stereo only) - Catalogue number - TC-PCS 7027 (Originally released June 1967).
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Track | Composer | Recording Information | Time |
Sgt. Pepper's Lonely Hearts Club Band | Lennon-McCartney | Recorded 1st February 1967 - 9 takes (Backing track only) Adding vocals 2nd February 1967 - Take 10 Overdubs 3rd March 1967 onto take 10 More overdubs 6th March 1967 onto take 10 Final mix - take 10. |
2:00 |
With A Little Help From My Friends | Lennon-McCartney | Original working title, "Bad Finger Boogie" Recorded 29th March 1967 - 10 takes of backing track, vocal added to take 11 Overdubs 30th March 1967 onto take 11 Final mix - take 11. |
2:43 |
Lucy In The Sky With Diamonds | Lennon-McCartney | Recorded 1st March 1967 - 8 takes (Backing track only) Vocal overdubs 2nd March 1967 onto take 8 Final mix - take 8. |
3:26 |
Getting Better | Lennon-McCartney | Recorded 9th March 1967 - 12 takes (Backing track only) Instrumentation overdubs 10th March 1967 onto take 12 Vocal overdubs 21st March 1967 - 2 takes (13-14) Overdubs 23rd March 1967 creating take 15 Final mix - take 15. |
2:47 |
Fixing A Hole | Lennon-McCartney | Recorded 9th February 1967 in 3 takes Overdubs 21st February onto take 3 Final mix - take 3. |
2:35 |
She's Leaving Home | Lennon-McCartney | Recorded 17th March 1967 - 6 takes (Backing track - strings - only) Vocal overdubs 20th March 1967 - 4 takes (6-10) Final mix - take 9. |
3:33 |
Being For The Benefit Of Mr. Kite | Lennon-McCartney | Recorded 17th February 1967 in 7 takes (Backing track only) plus, vocal overdubs (takes 8 & 9) Overdubs 28th March 1967 onto take 9 Overdubs 29th March 1967 onto take 9 Overdubs 30th March 1967 onto take 9 Final mix - take 9. |
2:35 |
Track | Composer | Recording Information | Time |
Within You, Without You | Harrison | Recorded 15th March 1967 - Take 1 Overdubs 22nd March 1967 creating take 2 Overdubs 3rd April 1967 onto take 2 Final mix - take 2. |
5:05 |
When I'm Sixty-Four | Lennon-McCartney | Recorded 6th December 1966 - 2 takes (Backing track only) Vocal overdub (Paul only) 8th December 1966 onto take 2 Vocal overdubs 20th December 1966, creating takes 3 & 4 Final mix - take 4. |
2:37 |
Lovely Rita | Lennon-McCartney | Recorded 23rd February 1967 - 9 takes (Backing track only) Vocal overdubs 24th February 1967 - 2 takes (10-11) Overdubs 7th March 1967 onto take 11 Overdubs 21st March 1967 onto take 11 Final mix - take 11. |
2:41 |
Good Morning, Good Morning | Lennon-McCartney | Recorded 8th February 1967 in 8 takes (Backing track only) Vocal overdubs 16th February 1967 creating 2 takes (9-10) Brass overdubs 13th March 1967 onto take 10 Overdubs 28th March 1967 creating take 11 Overdubs 29th March 1967 onto take 11 Final mix - take 11. |
2:42 |
Sgt. Peppers Lonely Hearts Club Band (Reprise) |
Lennon-McCartney | Recorded 1st April 1967 in 9 takes Final mix - take 9. |
1:19 |
A Day In The Life | Lennon-McCartney | Recorded 19th January 1967 - 4 takes Re-mixing 20th January 1967 from take 4, takes 5, 6 & 7 are made Overdubs added to take 6 - 3rd February 1967 Orchestral overdubs - 10th February 1967 - creating take 7 Ending edit piece (9 takes) 22nd February 1967 Final mix - takes 6 & 7 plus edit piece take 9. |
5:04 |
The Run Out Groove | Recorded 21st April 1967, firstly, the endless nonsense for the run-out groove, Then BETWEEN the final fade of "A Day In The Life" and "The Nonsense", a high-pitch whistle audible only to dogs was inserted. This was pitched at 15 kilocycles. On the C.D. version, "The Nonsense" lasts 22 seconds and FADES ! |
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"Sgt. Pepper's Lonely Hearts Club Band" | The mono version has a more prominent guitar towards the end, which is barely audible on the stereo version. |
"Lucy In The Sky With Diamonds" | The vocal has a noticable echo on the mono version, which is not heard on the stereo version. This gives the mono version a dreamier quality. |
"She's Leaving Home" | The song is noticeably slowed down in the stereo mix, therefore the mono version sounds much faster. |
"Sgt. Peppers Lonely Hearts Club Band (Reprise)" |
On the mono version the audience sounds begin more sharply, the drum intro is 4 drumbeats longer, and there are some
words spoken by John and some audience laughter ALL of which are missing from the stereo mix. Paul's ad-lib at the end is almost inaudible in stereo is quite clear in mono. The transition from "Good Morning" is not as smooth on the mono release. |
Re-pressings of the L.P. do NOT include the High-frequency tone nor the nonsense, but the 1987 CD does have both.
Note: See after this Released Versions section for differences in the printed editions of the initial sleeves.
First pressings (1967) - Mono AND Stereo versions
The standard yellow block writing Parlophone label.Second pressings (1967) - Rare Variant - Mono Only
The "All rights of the manufacturer" message around the edge of the label starts with "The Gramophone Co. Ltd."
The label DOES have "Sold in the U.K..." statement.
The sleeve is gatefold, the inner sleeve is red and white, and there is a cardboard cut-out insert.
Same as above ... but ......Third pressings (1969) - Mono AND Stereo versions
Some original mono pressings omit any reference to "A Day In the Life" on the side 2 record label, although the track does play on the album !
This version is therefore the rarest of all The Beatles "Sgt Pepper's Lonely Hearts Club Band" UK Pressings.
Note that so far this rare variant has only been discovered in MONO format (PMC 7027), it has never been found on a stereo version.
(The inner sleeve is plain white.)
Sgt. Peppers Lonely Hearts Club Band - Rare 1st Pressing Mono Label
The standard yellow block writing Parlophone label.Fourth Pressings (1969) - Mono AND Stereo versions
The "All rights of the manufacturer" message around the edge of the label starts with "The Gramophone Co. Ltd."
The label does NOT have "Sold in the U.K..." statement.
Inner sleeve is a sepia coloured EMI advertising bag, plus cardboard cut-out insert.
Note that there are rare pressings of the 1969 Mono version (PMC 7027) with a stereo matrix number YEX 637/8 that play in stereo.
One of only three Beatles albums to have been released in MONO by Parlophone in 1969 (the other two titles being 'Please Please Me' and 'Help').Fifth Pressings (1969) - Mono AND Stereo versions
Now with a silver/black Parlophone label.
Initial 1969 copies have the "All rights of the manufacturer" still starting with "The Gramophone Co Ltd"
Still with Gatefold sleeve, and cardboard cut-out inserts.
The label has one EMI boxed logo.
Both 'mono' and 'stereo' catalogue numbers are printed in the upper right hand corner of the rear of the sleeve.
Sgt. Peppers - Example Fourth Pressing Label A-Side Sgt. Peppers - Example Fourth Pressing Label B-Side
Basically same as fourth pressing, but during the run the "All rights of the manufacturer"Sixth Pressings (1973) - Stereo version ONLY
message around the edge of the label switched to "EMI Records Ltd."
Still with Gatefold sleeve, and cardboard cut-out inserts.
Still with a label with one EMI boxed logo.
Silver/black Parlophone label.Seventh Pressings (1979) - Stereo version ONLY
The "All rights of the manufacturer" message around the edge of the label starts with "EMI Records Ltd."
Still with Gatefold sleeve, and cardboard cut-out inserts.
The label has TWO EMI boxed logos.
In 1973 there were also some French Pressings. The L.P. has "Made In France" on the EMI rim copyright notice. The sleeve was British printed with a "Made In France" sticker. Some of these French copies came with banded vinyl.
PICTURE DISC L.P. - Catalogue number PHO 7027Eighth Pressings (1982) - Mono version ONLY
The "All rights of the manufacturer" message around the edge of the label now starts with "EMI Records Ltd."
Not a gatefold sleeve, it has a circular 10.25" hole cut in it, and NO cardboard cut-out inserts.
The label has TWO EMI boxed logos.
Now with a yellow/black Parlophone label.Ninth Pressings (1984) - Contract Pressing - Stereo version ONLY
The "All rights of the manufacturer" message around the edge of the label now starts with "EMI Records Ltd."
Still with Gatefold sleeve, and cardboard cut-out inserts.
This release is on a lightweight vinyl.
With a Parlophone/Nimbus label.Tenth Pressings (1995) - Stereo version ONLY
This was mail-order only from Practical Hi-Fi magazine and is obviously very rare (and worth a lot more).
Now with a Black and Silver Parlophone label.
The gatefold sleeve (with cut-out sheet) has a printed statement which reads:
"This album has been Direct Metal Mastered From a Digitally Re-mastered Original Tape to give the best possible sound quality"
This release is (surprisingly) on a lightweight vinyl.
There are a variety of sleeve differences of Sgt. Pepper making each print run (of the sleeve !) noticable. These can make us aware of which are first edition sleeves, second edition etc.
The difference can be noted in the bottom right hand corner and can be assessed thus:
First Edition Sleeve
"Printed and made by Garrod & Lofthouse Ltd. Patents applied for."Second Edition Sleeve
"Printed and made by Garrod & Lofthouse Ltd. Patents pending."Third Edition Sleeve
"Printed and made by Garrod & Lofthouse Ltd."There are also versions with no wording at all of the printing. These are printed by E.J. Day instead of Garrod & Lofthouse and can be verified by the fact that they have a wider spine.
Does this affect value ?
According to Record Collector magazine no. 335, these don't affect value as the album was a multi-million seller. Original stereo copies are rarer than original mono copies, however the original mono pressing is a different mix to the version available in the shops today, so although not as rare, the mono is the most desirable. Of course, absolutely mint examples will fetch the best price.
Secondly, I have a Russian double L.P. which couples Sgt. Peppers WITH Revolver !!
This utterly splendid double album is in a gatefold sleeve, which has a Sgt. Pepper front, with all the Words in Russian !
... open it out and it has a similar Sgt. Pepper inside, but with the tracklistings of BOTH L.P.'s and a date of 1992, plus
what looks to me like "Made In Gt. Petersburg" ? ... The rear has the look of a Revolver cover, BUT look closely and it IS
different.
The insert has a whole page of Russian, which seems to be about Sgt. Pepper's, but could be about anything ! ... and turn it
over and one can see a list of all the people on the cover ... but ... once again, in Russian.
Taken from the front cover, here is the Russian album centrepiece drumskin :
and opening up the gatefold, here is the Russian album, showing BOTH albums listed internally. :
I had an email from a Russian correspondent who tells me that this release and others are on the "Antrop" label which is derived from the founder's name,
Andrey Tropillo. It was issued in 1992 and is pirated in Russia as there was no official release at all.
There are two differences to the front cover picture - in the top line in the centre Andrey's picture has been added and instead of Karl Marx is someone called
Kolya Vasin (?)